Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Ilja Jefimowitsch Repin
The Washer Women

ID: 81913

Ilja Jefimowitsch Repin The Washer Women
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Ilja Jefimowitsch Repin The Washer Women


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Ilja Jefimowitsch Repin

1844-1930  Related Paintings of Ilja Jefimowitsch Repin :. | Italian Landscape with Bridge and Castle ar | Sunset Fires | Painter in his studio (mk33) | Maximilian Emanuel, Prince Elector of Bavaria ewrt | The last communion |
Related Artists:
William George Richardson
artist (b at Nottingham, Eng 12 June 1833; d at Sussex, NB 18 Nov 1889)
Albert Dubois-Pillet
French, 1846-1890.was a French painter and army officer. He graduated from the École Imp??riale Militaire at Saint-Cyr in 1867. He fought the Franco-Prussian War, during which he was made prisoner by the Germans. He started painting after the war, inspired by the Neoimpressionists.
PALMA GIOVANE
Italian Mannerist Painter, ca.1548-1628 Son of Antonio Palma. A greater artist than his father, his vast oeuvre represents the impact of central Italian Mannerism but principally of Jacopo Tintoretto on Venetian painting in the generation after Titian, Tintoretto and Paolo Veronese. He died in his late seventies and was occasionally referred to as 'il vecchio', but since the 17th century he has been known as 'il giovane' to distinguish him from his great uncle. He was virtually self-taught, apart from a presumed acquaintance with his father's workshop. In 1567 he came to the attention of Guidobaldo II della Rovere, Duke of Urbino, who was to support him for four years. A possible knowledge of Federico Barocci's art at the court of Urbino left little trace on his surviving early works. The Duke sent him to Rome for study, where he spent a few months apprenticed to an unknown artist. There his sympathy was with Taddeo Zuccaro and Federico Zuccaro, who influenced the graphic style of the drawing of Matteo da Lecce (1568; New York, Pierpont Morgan Lib.), his first dated work. His Roman sojourn, which lasted until c. 1573-4, made a direct impact on some of his Venetian works and indirectly made him receptive to Tintoretto's style. A tendency in Rome in the 1560s to retreat from the most artificial and decorative aspects of Mannerism in favour of naturalism was also to affect Palma's attitude to style in his mature works






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